It's not a bright, bubbly, or even joyous palette. These hues are a reflection of the Bride's need to be heard, to be seen. She will not be demure; she demands to stand out. This exhibitionism is further bolstered by the aforementioned dance numbers. The film is not just Frank and the Bride's story, but also their fantasy. Having long clung to Hollywood cinema for solace in a lonely existence (relatable!), Frank imagines meeting his bride as something out of a movie. He even mimics a Ronnie Reed dance move he saw on the silver screen to woo her. Later, they will envision themselves on the screen — as dancing lovers, as lurking monsters — and they will bring both of these fantasies into their journey, as they decide who they will be to each other.
电影删去了原著中谛听身上的宗教色彩,留下了一个逻辑不够通畅的人物动线。不少观众质疑,剧情过半,谛听已经捉住了小七和知世郎,大可以向朝廷复命,为什么还要回来找刀马打一场?
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